Antonia Mercé "La Argentina" - Andaluza Sentimental / La Vida Breve herunterladen

Titelliste

Credits

• Castanets – Antonia Mercé "La Argentina"

Barcodes

• Matrix / Runout (Side A label): KI. 2628
• Matrix / Runout (Side B label): KI. 2636
• Rights Society: B.I.E.M.

Album

Antonia Mercé y Luque September 4, 1890 July 18, 1936, stage name La Argentina, was an Argentine-born Spanish dancer known for her creation of the neoclassical style of Spanish dance as a theatrical art. She was one of the major influences on Japanese butoh dancer Kazuo Ohno. It is given to few artists to incarnate in their art, at a given epoch, the distinct characteristics of their race and its conception of the beautiful, and this, in a manner so in complete and significant that their names. Read about La Andaluza Sentimental Turina from A. Mercé & La Argentina's Joaquín Turina: Grabaciones Históricas and see the artwork, lyrics and similar artists. From The Album. Play album. Joaquín Turina: Grabaciones Históricas. Various Artists. 5 listeners. Do you know the lyrics for this track . Las castaÃuelas de La Argentina. Audio Preview. Antonia Merce. La vida breve de Falla. Antonia Merce, stage-named La Argentina, was the most celebrated Spanish dancer of the early 20th century. Her intensive musical and theatrical collaborations with members of the Spanish vanguard - Manuel de Falla, Frederico Garcia Lorca, Enrique Granados, Nestor de la Torre, Joaquin Nin, and with renowned Andalusian Gypsy dancers - reflect her importance as an artistic Antonia Merce, stage-named La Argentina, was the most celebrated Spanish dancer of the early 20th century. Original Title. Antonia Merce, La Argentina: Flamenco and the Spanish Avant Garde. 0819563838 ISBN13: 9780819563835. Her intensive musical and theatrical collaborations with members of the Spanish vanguard - Manuel de Falla, Frederico Garcia Lorca, Enrique Granados, Nestor de la Torre, Joaquin Nin, and with renowned Andalusian Gypsy dancers - reflect her importance as an artistic symbol for contemporary Spain and its cultural history. 1930 Antonia Mercé La Argentina, New York: Instituto de las Españ en los Estados Unidos. Didi-Huberman, G. 2006 Le Danseur des solitudes, Paris: Les E ditions de Minuit. Garcí Lorca, F. 1997 Obras completas, vol. 3, ed. Miguel Garcí-Posada, Barcelona: Galaxia GutenbergCí de Lectores. La conscience critique. Jan 1974. G Poulet. Learn more. Reading this book alone, one would think that Antonia Mercé single handedly invented the theatrical version of Spanish dance and was the first to include flamenco. In fact, she was one of many - a significant one, no doubt, but not the only one. An example is the author's approving quote from her subject: p. 71 At the beginning. dance maestros rejected my revolution of classical dance. Create new. Name is required. Original Title: Figurín para el El Bolero de Ravel Antonia Mercé La Argentina. Date: 1930 Spain. Style: Art Deco, Cubism. La Argentinita-Encarnacion López Júlvez-and Federico García Lorca were intimate friends and artistic collaborators until Lorca's death in 1936. She appeared as the featured dancer in his first produced play, El Malefício de la Mariposa, in 1920. The two artists recorded and popularized old Spanish songs in the early 1930s, and with other artists they formed the Madrid ballet in 1933. DescriptionLa Argentina Antonia Mercé 1930 2. English: Spanish flamenco dancer Antonia Mercé y Luque . La Argentina 1890-1936. Bibliothèque nationale de France. Studio d'Ora, Paris